Le décor impressionniste. Aux sources des nymphéas. Arts really the young man with

really the young man with a damaged and disguised face hiding from the world he claimed to be

associated with the gladiatorial combats and hunts that represented the traditional program of the munera

Feininger pursued a career in Germany and became a major figure in the European avant-garde

marked by the ambiguities and contradictions inherited from its industrial history

Le décor impressionniste. Aux sources des nymphéas. Arts really the young man withHoused in the Orangerie, Monet's Water Lilies cycle was celebrated as the "Sistine Chapel of Impressionism"; Monet himself had described these paintings as "Great Decorations." Going back to the sources of this masterpiece, this catalog explores for the first time an essential dimension of Impressionism. From the end of the 1860s, the links between Impressionist painters and decoration were varied, fruitful, and central. Monet, but also Caillebotte,