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interrupting its profile as darkness softens the contours and transforms the shapes into looming masses
a Shinto priest blesses the chinowa with a gohei
he created his first poster
attributable to the print run of Eirakuya Tōshirō (early Meiji period) from the original woodblocks
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 12, 1834 sculture interrupting its profile as darknessA splendid impression with good contrasts, attributable to the Eirakuya Tshir edition (mid 19th century) from the original woodblocks of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original uncut margins beyond the marginal line. Selected Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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